Written to be read aloud by two voices -- sometimes alternating, sometimes simultaneous -- here is a collection of irresistible poems that celebrate the insect world, from the short life of the mayfly to the love song of the book louse. Funny, sad, loud, and quiet, each of these poems resounds with a booming, boisterous, joyful noise. In this remarkable volume of poetry for two voices, a companion to "I Am Phoenix, "Paul Fleischman verbally re-creates the "Booming/boisterios/joyful noise" of insects. The poems resound with the pulse of the cicada and the drone of the honeybee. Eric Beddows's vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way. Paul Fleischman has created not only a clear and fascinating guide to the insect world -- from chrysalid butterflies to whirligig beetles -- but an exultant celebration of life. Distributed by Syndetic Solutions, Inc.

Fleischman and Beddows (I Am Phoenix) are paired again for another remarkable collection of poems written to be read, by two people, out loud. Mayflies, moths, crickets and other insects join voices in clever musical duets. Fireflies are ``insect calligraphers'' who use their light as ink on the parchment of the night, cicadas ``chant from the treetops'' their ``booming joyful noise,'' and two honeybeesa queen and a droneexplain contrapuntally why they have the best and worst of lives. In one of the wittiest poems in the volume, two book lice discuss how they met on some dusty shelves, ``honeymooned in an old guide book on Greece'' and adore each other in spite of opposite tasteshe prefers Shakespeare and she Spillane. Beddows's black-and-white drawings blend biology-text accuracy with charming cartoon fancies and keep pace with the imaginative verse. All ages. Copyright 1988 Cahners Business Information, Inc. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr 3 Up In this collection of 14 ``Poems for Two Voices'' about insects, Fleisch man surpasses its companion volume, I Am Phoenix (Harper, 1985). He has com bined the elements of sound and meaning to create clear, lively images of a variety of insects. Elements of repetition, ono matopoeia, and alliteration are effectively used to create a character for each of these creatures, with fireflies ``Flickering, flitting, flashing'' and mayflies ``lying, dy ing,'' which make these poems a joy for reading aloud. In addition, elements of personality, both fictional and real, are presented with charming effect. The love lorn moth who yearns for the lightbulb and the book lice who overcome their differing ``tastes'' represent the lighter side, while the digger wasp's reflection on the home it digs for children it will never see and ``Re quiem,'' written for the victims of ``Fall's first killing frost,'' represent real beha viors. Beddows uses personified black- and-white drawings to capture the feeling of the poems, including a sultry queen honeybee reclining on her couch. This book can join Bugs (Viking, 1976) by Mary Ann Hoberman and Never Say Ugh! to a Bug (Greenwillow, 1979) by Norma Farber as proof that insects are indeed the stuff of poetry. Barbara Chatton, Col lege of Education, University of Wyo ming, LaramieCopyright 1988 Cahners Business Information, Inc. From: Reed Elsevier Inc. Copyright Reed Business Information